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Display: BOOKBINDING by Sullivan Book Arts

This display features the steps and tools of bookbinding as practiced by Sullivan Book Arts, a bindery based out of Pittsburg, Kansas.

Olive Sullivan is obsessed with books. She is a writer as well as a bookbinder and recently opened her own Little Free Library. Her poetry collection, Wandering Bone, was published in 2017 (Meadowlark Books, Emporia). She began bookbinding with Sharen May in 2011 and is now training her own apprentice, Angel Abshire, in this art.

Sullivan Book Arts specializes in restoration, custom bookbinding, art books, and more. For more information, visit them HERE.

Bookbinding is on display inside Joplin Public Library now through November 15, 2020.

Click HERE to see a news feature about Sullivan Book Arts’ Bookbinding.

Above: Bookbinding by Sullivan Book Arts
Above: Restoration In-progrss
Bookbinding by Sullivan Book Arts

Exhibit: PLACES I HAVE BEEN by Paula Giltner

We’ve resumed art exhibits in the library!

Now through November 30, 2020 Paula Giltner’s Places I Have Been is on exhibit in The Bramlage and Willcoxon Foundation Gallery and the Local History Room inside Joplin Public Library.

Places I Have Been features watercolor and oil paintings that take viewers to Colorado, Wyoming, California, and several Missouri locations, including Joplin.

Giltner is an award-winning artist who is part of Local Color Art Gallery in Joplin, Missouri. For more information, visit HERE. Click HERE for a news feature about this exhibit.

Artist’s Statement

If only I could show paintings of all the places I have been! Although I’m someone who has had very few dreams of traveling, my life events have taken me all over the globe. I have been to 48 states in the US and to 9 foreign countries.

Watercolor was the first medium to challenge me artistically. Eventually I experimented with acrylic and finally oil. What’s my favorite? That’s like choosing between steak and lobster. It’s all good, but in different ways.

I find that local people enjoy seeing paintings of familiar places around the four states. I love to paint the landscape in all seasons along with the wildlife, domestic life and architecture. I think the world is a beautiful place and there’s no place like home.

Paula Giltner | jnpgiltner@hotmail.com

Above: “Colorado Waterfall” by Paula Giltner
Above: “California 1” by Paula Giltner
Above: Places I Have Been Exhibition
The Bramlage and Willcoxon Foundation Gallery | Joplin Public Library

Paper-Mache Earring Workshop

We’re glad to partner with local artist Kristin Girard of Kristin’s Laboratory to offer a FREE Paper-Mache Earring Workshop–and just in time for Valentine’s Day!

During this hands-on workshop participants will learn the basics of paper-mache bead making with Jill Sullivan of Post Art Library and the basics of earring making with Kristin Girard of Kristin’s Laboratory.

After getting messy with paper, glue, and paint, participants will create a complete pair of paper-mache earrings to take home along with any other paper-mache beads they make during the program.

This is a FREE workshop, though space is limited and registration is necessary. Registration is open to the public, ages 16+, and spots are filled on a first come, first serve basis. Library card NOT needed. To register, call Jill Sullivan at 417-623-7953 x1041.

GRIND by Brett Dorrance

Brett Dorrance’s GRIND is comprised of a typographic sculpture and posters. Dorrance’s background knowledge of graphic design and 3D design is displayed in a pragmatic, modern, and uplifting way. He has a large interest in motivational messages and helping others from the bottom to the top. His desire is for the viewer to walk away with a sense of encouragement.

“We all go through a daily GRIND no matter what the circumstances are. I want that daily GRIND to be applied in a way that brings success and hope, not destruction or failure,” said Dorrance.

GRIND is on exhibit in The Bramlage and Willcoxon Foundation Gallery inside Joplin Public Library, 1901 East 20th Street, Joplin, MO now through January 5, 2019. An artist’s reception will be held in the gallery on Thursday, October 24, 2019 from 6-7:30pm. 

For more information, contact Jill Sullivan at 417-623-7953 x1041.

Photography by Maxwell Heckman

Maxwell Heckman’s photography show juxtaposes two of his series: M.A.D: Mutually Assured Destruction, a black and white series which opposes nuclear war and weapons, and Morning in Joplin, a color landscape series.

In his application to show artwork in the library, Maxwell Heckman described himself as “a young, somewhat inexperienced photographer.” He went on to say his philosophy is artists must enjoy their work, be proud of their failures, and, above all, keep going.

In his practice, he wakes at 5am and walks about with his camera, taking photos, whether it’s 5 degrees or 106, rain or shine, good or poor lighting, etc. He keeps going, shooting as many frames as he can, enjoying the process.

Rather than viewing his artwork as good or bad – “peeks or valleys” – he sees it as a vehicle for improvement, as “always having the opportunity to get better.” That, he says, is why he’s an artist.

When working with Maxwell to determine which of his work to show in the library, I became intrigued with juxtaposing his gas mask series and landscapes. The stark contrast between the black and white gas mask photographs and the saturated color landscapes demonstrates Maxwell’s aptitude for exploring his medium while eliciting an indescribable connection between the two series.

Indeed, he might be young and somewhat inexperienced, but his work is experimental and promising.

Heckman’s photography is on display in the Genealogy, Local History, and Post Reading Room wing inside Joplin Public Library now through November 30th.

Lydia Humphreys’ New Portrait Series

A few weeks ago, local artist Lydia Humphreys popped into PAL and asked if she could take a photo of me to paint my portrait for a series that she’s currently working on. Between blushing and laughing as she snapped the photo, I managed to ask her a couple of questions about the series, which she’s been releasing via social media. Perhaps what intrigues me most is that she paints each portrait in the color that she sees the person. Not their auras, necessarily, but the colors that she associates with that person. Last week, I had the fortune of meeting with Lydia to further discuss her art and this portrait series in particular.

Jill: Could you tell me a little about your background? Are you from Joplin? How long have you been involved in Joplin Arts?
Lydia: I’m from Joplin, but I’ve been involved in Joplin Arts for about two years, since I started college at MSSU. Although I’ve always drawn, painted, and taken lots of art classes, I didn’t want to do art. I wanted to become a physical therapist and work with kids with disabilities.

What changed that?
I did an internship in St. Louis and art was all around. Living in a bigger city you catch on to trends more, see the arts more, and art is everywhere. Being there helped me realize that art was a possibility, that I could do it my own way, that it was something that was attainable. I started making art in St. Louis.

Why do you do what you do? Why art?
My brain works better with art. It’s easier for me to communicate through art. I can express things that I don’t know how to verbalize.

What if what you’re trying to communicate is viewed differently by the viewer?
If the person doesn’t see what I’m going for, then I’m either not communicating it right or they aren’t the right person for it.

How do you work? Meaning do you have rituals or routine?
I always have headphones on to tune everything else out because I work mostly at school. I work alone, mostly, but sometimes with one friend.

What are some of your favorite mediums?
Mixed media, installations, everything. I’m intrigued by big installations. I did one and it was exhaustingly fun.

In addition to making art, you’ve curated exhibits. What appeals to you about curating the art of others?
I like making a space pristine with art. Something about walking into an area to see the art and not being there for anything else.

What generally inspires your work?
Right now, it’s varied. …I’m upset with issues that are interpreted wrong, like the emotions and actions of others. So I want to destigmatize. For example, I did a series about depression and anxiety.

I’d like to talk about this portrait series that you’re working on. Why depictions of people?
People make up the community. It all feels like family and I love community. It’s another way to support the community. And the act of making the art breaks the ice, helps me to get to know the individual better. I’m inspired by spending so much time with the faces, getting to know a certain type of beauty that’s often initially dismissed.

You’re painting these faces in the color that you see the person. You said not their auras, but the color that you associate with them. Could you discuss this a little more?
I assign certain colors and patterns to things so that I remember them. It’s the same for people. I’ll remember a face and a color that I’ve assigned to that face better than a name. But none of the colors have particular meanings to me. I don’t know why certain colors, it’s just what happens. It’s not always personality based. Sometimes I see the same color for someone who I like and for someone who I dislike.

Does the color come to you more easily for some people than others?
Yes. Sometimes I start one color and change to another color. I might assume a certain color, but when I go to mix it I realize it’s a different shade, hue, or value. Or more than one color. Sometimes the background is another color I associate with that person.

How have those depicted reacted to the paintings? Has anyone been surprised or disappointed about their color?
Generally, people are excited to be painted. One person did think the color I chose was weird, but others agree.

Do you know how many portraits you will paint for this series?
I don’t have a certain number in mind. The project needs to evolve somehow. I like the idea of a large amount of portraits. I want to do a lot.

I have one more question. Do you have a certain color that you associate with yourself?
Pink. Vibrant pink.

At the time of this interview (2/2/2017), there were 14 portraits in Lydia’s series, four of which are shown here. You can follow Lydia and her artwork on Facebook (Lydia Humphreys) or Instagram (lydia_humphreys).

The Scoop: Coloring Book Club

In October 2015, Connect2Culture, Post Art Library, and Spiva Center for the Arts launched Coloring Book Club (CBC), with plans to meet every other month, alternating between the library and Spiva, for one year. Our goal was to offer adults a well-deserved “brain break” without expectations while promoting mindfulness and self-expression, reducing anxiety, and strengthening community. Now that we’ve met that goal, we’ve considered feedback from CBC-goers and reassessed to determine the best way to move forward.

Although Connect2Culture and Post Art Library had a wonderful time helping to launch this fantastic club, Spiva is taking the lead. Starting in January 2017, ALL Coloring Book Club meets will be held monthly at Spiva Center for the Arts on the second Saturday of each month, 10:30am-noon. We believe that participants will have a better experience with monthly meetings at a consistent location. Plus, this location eliminates the need to register for meets–simply show up and color!

If you have any questions about Coloring Book Club, then please contact Spiva Center for the Arts at 417-623-0183 or visit their website at www.SpivaArts.org.

Thanks for the great year and color on!

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