joplinarts

2020 Post Art Library Holiday Tea Take-Home Kits

In lieu of our annual in-person Holiday Tea event, we invite you to pick up a PAL Holiday Tea Take-Home Kit on Saturday, December 5, 2020 from 10am-12pm in our Post Reading Room inside Joplin Public Library. Coinciding with the distribution of the take-home kits is the opening of TEA, a display consisting of teacups, teapots, and tea-related items, in the library’s display cases. TEA will be on display from Saturday, December 5, 2020 through Sunday, January 3, 2021.

Each PAL Holiday Tea Take-Home Kit includes: 1 paper tea cup and saucer, 1 paper napkin, 1 paper doily, 1 individually wrapped stirrer, 2 individually wrapped bags of tea (one holiday, one black), 2 individually wrapped creamers, 2 individually wrapped sugar packets, individually wrapped candies, and a bookmark. One kit per person. First come, first served while supplies last. FREE and open to the public. Registration not necessary. Reservations not permitted.

Since 2016, we’ve hosted an annual Holiday Tea event inside the library. Held on the first Saturday each December, this event typically features a live musical or other performance: local Harpist Amanda Kimble, Father Christmas, and the Ellis Sisters with Historic Murphysburg, Inc. (2016); Still Waters String Ensemble (2017); a Heartland Opera Theatre collaboration (2018); and the Thomas Jefferson Cavalier Chorus and Thomas Jefferson String Ensemble (2019). Due to concerns regarding COVID-19 we are unable to program an in-person event for our 2020 Holiday Tea.

Post Art library is a 501(c)3 not-for-profit arts-related organization located inside Joplin Public Library. For more information, or to make a tax-deductible donation, visit PostArtLibrary.org or contact Jill Sullivan at 417.623.7953 x1041.

Exhibit: PLACES I HAVE BEEN by Paula Giltner

We’ve resumed art exhibits in the library!

Now through November 30, 2020 Paula Giltner’s Places I Have Been is on exhibit in The Bramlage and Willcoxon Foundation Gallery and the Local History Room inside Joplin Public Library.

Places I Have Been features watercolor and oil paintings that take viewers to Colorado, Wyoming, California, and several Missouri locations, including Joplin.

Giltner is an award-winning artist who is part of Local Color Art Gallery in Joplin, Missouri. For more information, visit HERE. Click HERE for a news feature about this exhibit.

Artist’s Statement

If only I could show paintings of all the places I have been! Although I’m someone who has had very few dreams of traveling, my life events have taken me all over the globe. I have been to 48 states in the US and to 9 foreign countries.

Watercolor was the first medium to challenge me artistically. Eventually I experimented with acrylic and finally oil. What’s my favorite? That’s like choosing between steak and lobster. It’s all good, but in different ways.

I find that local people enjoy seeing paintings of familiar places around the four states. I love to paint the landscape in all seasons along with the wildlife, domestic life and architecture. I think the world is a beautiful place and there’s no place like home.

Paula Giltner | jnpgiltner@hotmail.com

Above: “Colorado Waterfall” by Paula Giltner
Above: “California 1” by Paula Giltner
Above: Places I Have Been Exhibition
The Bramlage and Willcoxon Foundation Gallery | Joplin Public Library

Paper-Mache Earring Workshop

We’re glad to partner with local artist Kristin Girard of Kristin’s Laboratory to offer a FREE Paper-Mache Earring Workshop–and just in time for Valentine’s Day!

During this hands-on workshop participants will learn the basics of paper-mache bead making with Jill Sullivan of Post Art Library and the basics of earring making with Kristin Girard of Kristin’s Laboratory.

After getting messy with paper, glue, and paint, participants will create a complete pair of paper-mache earrings to take home along with any other paper-mache beads they make during the program.

This is a FREE workshop, though space is limited and registration is necessary. Registration is open to the public, ages 16+, and spots are filled on a first come, first serve basis. Library card NOT needed. To register, call Jill Sullivan at 417-623-7953 x1041.

GRIND by Brett Dorrance

Brett Dorrance’s GRIND is comprised of a typographic sculpture and posters. Dorrance’s background knowledge of graphic design and 3D design is displayed in a pragmatic, modern, and uplifting way. He has a large interest in motivational messages and helping others from the bottom to the top. His desire is for the viewer to walk away with a sense of encouragement.

“We all go through a daily GRIND no matter what the circumstances are. I want that daily GRIND to be applied in a way that brings success and hope, not destruction or failure,” said Dorrance.

GRIND is on exhibit in The Bramlage and Willcoxon Foundation Gallery inside Joplin Public Library, 1901 East 20th Street, Joplin, MO now through January 5, 2019. An artist’s reception will be held in the gallery on Thursday, October 24, 2019 from 6-7:30pm. 

For more information, contact Jill Sullivan at 417-623-7953 x1041.

Photography by Maxwell Heckman

Maxwell Heckman’s photography show juxtaposes two of his series: M.A.D: Mutually Assured Destruction, a black and white series which opposes nuclear war and weapons, and Morning in Joplin, a color landscape series.

In his application to show artwork in the library, Maxwell Heckman described himself as “a young, somewhat inexperienced photographer.” He went on to say his philosophy is artists must enjoy their work, be proud of their failures, and, above all, keep going.

In his practice, he wakes at 5am and walks about with his camera, taking photos, whether it’s 5 degrees or 106, rain or shine, good or poor lighting, etc. He keeps going, shooting as many frames as he can, enjoying the process.

Rather than viewing his artwork as good or bad – “peeks or valleys” – he sees it as a vehicle for improvement, as “always having the opportunity to get better.” That, he says, is why he’s an artist.

When working with Maxwell to determine which of his work to show in the library, I became intrigued with juxtaposing his gas mask series and landscapes. The stark contrast between the black and white gas mask photographs and the saturated color landscapes demonstrates Maxwell’s aptitude for exploring his medium while eliciting an indescribable connection between the two series.

Indeed, he might be young and somewhat inexperienced, but his work is experimental and promising.

Heckman’s photography is on display in the Genealogy, Local History, and Post Reading Room wing inside Joplin Public Library now through November 30th.

Calling all Writers: 2019 Joplin Writers’ Faire Registration

Registration is now open for the 2019 Joplin Writers’ Faire, an annual collaborative event that connects all sorts of writers to their existing and potentially new audiences while encouraging community support of local and regional writers.

Last year, over 25 authors participated in and over 300 people attended this annual event! Registration is FREE and open to all writers, writers’ groups, and writing-related organizations.

DETAILS:

  • The 3rd Annual Joplin Writers’ Faire is scheduled for Saturday, October 26, 2019 from 10am-2pm at Joplin Public Library.
  • Registrationis FREE and opens at 9am on Thursday, August 1, 2019 and closes at 6pm on Friday, August 30, 2019. Neither early nor late registrations will be accepted. Tables will be provided for the first 25 registrants.  
  • For an opportunity to participate in the public reading portion of this event, we request that you donate an item (e.g. one of your books, associated merchandise, a journal, pen set, etc.) to be given away as a door prize. If you’re agreeable to the donation and would like to claim one of the sixteen public-reading slots, then please state as such at the time of your registration. Note that participation in the public-reading portion of this event is optional and that slots will be given on a first come, first serve basis. 
  • Contact either Jill Sullivan (jhsullivan@postartlibrary.org; 417-623-7953 x1041) or Evan Martin (emartin@joplinpubliclibrary.org; 417-623-7953 x1018) to register.

The Joplin Writers’ Faire is a collaboration between Post Art Library (PAL) and Joplin Public Library (JPL).

Sculpture Works in Wood

“Sculpture Works in Wood,” a solo exhibition by local artist M. Justin Hale, is on display in our Bramlage and Willcoxon Foundation Gallery, our display cases, and in the Post Reading Room inside Joplin Public Library now through September 30, 2019.

Hale sees anatomical references whenever he carves. Most of his professional life has been spent working in prosthetics. Leaving the prosthetics field in 1999, he now devotes his life to his artwork.

His work is inspired by the bent and twisting forms found in remnants of trees from a long and well lived life. Finding and releasing the stored energy of the wood into a new life as sculpture is a great experience.

For more information, contact Jill Sullivan at 417-623-7953 x1041 or jhsullivan@postartlibrary.org.

Library exhibitions and displays are curated by Post Art Library. Their mission is to enrich the community of Joplin by perpetuating Dr. Winfred L. and Elizabeth C. Post’s love of art, architecture, history, and history preservation through public access to arts-related library resources and services, educational programming, events, and exhibits. Visit www.postartlibrary.org for more information.

MSSU Senior Sneak Peek

MSSU Senior Sneak Peek, an art show comprised of artworks by recent or soon-to-be recent graduates of Missouri Southern State University’s Art Department, is on display in our Local History, Genealogy, and Post Reading Room gallery. A preview of the artists’ senior shows, Sneak Peek features art by Jocelyn Lechuga, Lydia Humphreys, McKenzie Wesley, Sydney Buffington, and Jacklyn Kidd.

Welcome to the Game: Human Trafficking in America

“Welcome to the Game: Human Trafficking in America” by Neosho artist Sarah Serio is on display now through March 2019 in our Bramlage and Wilcoxon Foundation Gallery.

Serio is a printmaker creating in traditional methods of hand-carved, hand-inked, and hand-pulled works. Her work focuses on and raises awareness about the millions of people world-wide who are victims of human trafficking.

“Welcome to the Game: Human Trafficking in America” is comprised of 12 reduction block prints, each layered with ink that builds a foundation upon which a narrative of those suffering from this violent and demeaning trade is told.

“I find that often the visual imagery used to bring awareness to the sex-slave industry is sanitized, such as showing a girl with a barcode and ropes around her wrist. My work strives to bring the harsh reality of this world to light,” said Serio.

Serio is a nationally exhibiting printmaker who received degrees in Fine Art and Graphic Communication from Missouri Southern State University. Her work has been exhibited in galleries in New York, Los Angeles, Chicago, Miami, and in Southwest Missouri.

A brief artist’s talk and reception will be held in the gallery on Thursday, February 21st, from 6:00pm-7:30pm.

 

Lydia Humphreys’ New Portrait Series

A few weeks ago, local artist Lydia Humphreys popped into PAL and asked if she could take a photo of me to paint my portrait for a series that she’s currently working on. Between blushing and laughing as she snapped the photo, I managed to ask her a couple of questions about the series, which she’s been releasing via social media. Perhaps what intrigues me most is that she paints each portrait in the color that she sees the person. Not their auras, necessarily, but the colors that she associates with that person. Last week, I had the fortune of meeting with Lydia to further discuss her art and this portrait series in particular.

Jill: Could you tell me a little about your background? Are you from Joplin? How long have you been involved in Joplin Arts?
Lydia: I’m from Joplin, but I’ve been involved in Joplin Arts for about two years, since I started college at MSSU. Although I’ve always drawn, painted, and taken lots of art classes, I didn’t want to do art. I wanted to become a physical therapist and work with kids with disabilities.

What changed that?
I did an internship in St. Louis and art was all around. Living in a bigger city you catch on to trends more, see the arts more, and art is everywhere. Being there helped me realize that art was a possibility, that I could do it my own way, that it was something that was attainable. I started making art in St. Louis.

Why do you do what you do? Why art?
My brain works better with art. It’s easier for me to communicate through art. I can express things that I don’t know how to verbalize.

What if what you’re trying to communicate is viewed differently by the viewer?
If the person doesn’t see what I’m going for, then I’m either not communicating it right or they aren’t the right person for it.

How do you work? Meaning do you have rituals or routine?
I always have headphones on to tune everything else out because I work mostly at school. I work alone, mostly, but sometimes with one friend.

What are some of your favorite mediums?
Mixed media, installations, everything. I’m intrigued by big installations. I did one and it was exhaustingly fun.

In addition to making art, you’ve curated exhibits. What appeals to you about curating the art of others?
I like making a space pristine with art. Something about walking into an area to see the art and not being there for anything else.

What generally inspires your work?
Right now, it’s varied. …I’m upset with issues that are interpreted wrong, like the emotions and actions of others. So I want to destigmatize. For example, I did a series about depression and anxiety.

I’d like to talk about this portrait series that you’re working on. Why depictions of people?
People make up the community. It all feels like family and I love community. It’s another way to support the community. And the act of making the art breaks the ice, helps me to get to know the individual better. I’m inspired by spending so much time with the faces, getting to know a certain type of beauty that’s often initially dismissed.

You’re painting these faces in the color that you see the person. You said not their auras, but the color that you associate with them. Could you discuss this a little more?
I assign certain colors and patterns to things so that I remember them. It’s the same for people. I’ll remember a face and a color that I’ve assigned to that face better than a name. But none of the colors have particular meanings to me. I don’t know why certain colors, it’s just what happens. It’s not always personality based. Sometimes I see the same color for someone who I like and for someone who I dislike.

Does the color come to you more easily for some people than others?
Yes. Sometimes I start one color and change to another color. I might assume a certain color, but when I go to mix it I realize it’s a different shade, hue, or value. Or more than one color. Sometimes the background is another color I associate with that person.

How have those depicted reacted to the paintings? Has anyone been surprised or disappointed about their color?
Generally, people are excited to be painted. One person did think the color I chose was weird, but others agree.

Do you know how many portraits you will paint for this series?
I don’t have a certain number in mind. The project needs to evolve somehow. I like the idea of a large amount of portraits. I want to do a lot.

I have one more question. Do you have a certain color that you associate with yourself?
Pink. Vibrant pink.

At the time of this interview (2/2/2017), there were 14 portraits in Lydia’s series, four of which are shown here. You can follow Lydia and her artwork on Facebook (Lydia Humphreys) or Instagram (lydia_humphreys).